Language and practices associated with democracy and multipartyism are used by practitioners of the gurna society among the Tupuri of northern Cameroon to comment on local changes in gurna dances and their attending social values. At the heart of this commentary is a widely-shared anxiety about moral standards for political action and the threat of factionalism, as well as nostalgia for unity among dancers and in society at large. This appropriation of anational level lexicon enabled practitioners of an ostensibly “traditional” institution to revitalize their practice and comment on the broader political life of the nation.
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